Difference between revisions of "Cloth Colours & Patterns"

Revision as of 09:25, 6 September 2015

This article's completion rating is 1 out of 5. Article planned for future work. No real progress to date.

This article's completion rating is 1 out of 5. Article planned for future work. No real progress to date.

Natural colours

Art
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Literature

• The term sauðalitir, derived from old norse for sheep, referes to natural sheep colours ranging from white, red-brown to anthracite. The rare mention of these in the sagas indicates that these were the norm. ^{[TOPLAK 2011]:p.97}
• Valla-Ljót refers to a brúnan kyrtil, a natural brown coat.^{[TOPLAK 2011]:p.97}

Archaeology
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Discussion
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Blue (Woad)

Art
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Literature

• In the sagas the most commonly refered to artificially dyed colour is blár, blue. ^{[TOPLAK 2011]:p.97}
• Blue clothes were worn in the sagas by those taking revenge, as a way of showing status and of distinguishing between a legal killing and murder. ^{[TOPLAK 2011]:p.98}

Archaeology
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Discussion
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Red (Madder)

Art
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Literature
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Archaeology
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Discussion
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Green

Art
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Literature

• In the sagas green is refered to 6 times, mostely with negative or mystic conotations. [TOPLAL 2011: p.99]

Archaeology
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Discussion
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Multicoloured

Art
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Literature

• Occasionally garments called tviskipt klæði are mentioned which are made up of two textiles of different colours. ^{[TOPLAK 2011]:p. 99}

Archaeology

• Hedeby: The fragments of a pair of baggy trousers (fragment 72Aa-g) were red on the front and a yellow-green on the back. Though no chemical analysis has taken place yet, the difference is still visible to the naked eye. ^{[HAGG 1984]:p.38}

Discussion
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References