Sword Scabbards

From The Viking Age Compendium

...


The Evidence

Art


The following images show help to show how scabbards of the period may have worked.

Anglo-Saxon

Summary of Swords from Anglo-Saxon Manuscripts

Manuscript Date Total No.
of Swords
of which
are held
at waist
Total No.
of Scabbards
of which
look like
baldrics
of which
look like
sword belts
BL Add. 49598 971-984 3 0 3 0 1
BL Harl. 2506 980-1000 1 0 0 1 0
BL Cott. Cleo. C VIII 980-1000 3 0 2 0 0
BL Arund. 155 1012-1023 1 0 0 0 0
BL Cott. Tib. B V 1025-1050 3 0 3 1 1
BL Cott. Clau. B. IV 1025-1050 155 31 4 1 2
BL Stow. 944 1031 1 1 0 0 0
BL Cott. Tib. C. VI 1050 3 0 3 2 0

Carolingian and Ottonian

Norman


Literature


  • Words for Scabbards
  • Quotes from primary evidence


Archaeology


Scabbards seem to be predominately made up of 4 layer:

  • Lining -
  • Core -
  • Wrapping -
  • Cover -

This is probably an over simplification and more information can be found in the Construction section.

England

Location Date Lining Core Wrapping Covering Type Associated
Sword
Notes Reference
York AY17/3 (638) fragment of leather (32cm) - (MACGREGOR 1982 cat.638 pp.142-143,163) (MOULD, CARLISLE & CAMERON 2003 p.3527) (CAMERON 2000 cat.219)]
York AY17/3 (641) fragment of leather (17cm) - (MACGREGOR 1982 cat.641 p.163) (MOULD, CARLISLE & CAMERON 2003 p.3527) (CAMERON 2000 cat.217)
York AY17/16 (15544) fragment of leather (19cm) York Type 1 - (MOULD, CARLISLE & CAMERON 2003 p.3494) (CAMERON 2000 : cat.158)
York AY17/16 (15545) fragment of leather (42cm) York Type 1 - (MOULD, CARLISLE & CAMERON 2003 p.3494) (CAMERON 2000 cat.186)
York AY17/16 (15546) fragment of leather (66cm) York Type 1 - (MOULD, CARLISLE & CAMERON 2003 :p.3494) (CAMERON 2000 cat.143)
York AY17/16 (15547) fragment of leather (25cm) York Type 1 - (MOULD, CARLISLE & CAMERON 2003 p.3494) (CAMERON 2000 cat.157)
York AY17/16 (15548) fragment of leather (25cm) York Type 2 - (MOULD, CARLISLE & CAMERON 2003 p.3494) (CAMERON 2000 cat.154)
York AY17/16 (15549) fragment of leather (40cm) York Type 3 - (MOULD, CARLISLE & CAMERON 2003 p.3494) (CAMERON 2000 cat.152)
York AY17/16 (15550) fragment of leather (38cm) York Type 3 - (MOULD, CARLISLE & CAMERON 2003 :p.3494) (CAMERON 2000 cat.250)
York AY17/16 (15837) fragment of leather (25cm) - 4 fragments from possibly more than one scabbard (MOULD, CARLISLE & CAMERON 2003 p.3513)
York AY17/16 (15856) fragment of leather (55cm) - (MOULD, CARLISLE & CAMERON 2003 p.3518) (CAMERON 2000  cat.373)
York AY17/16 (15894) almost complete (70cm) - (MOULD, CARLISLE & CAMERON 2003 p.3528) (CAMERON 2000  cat.213)
York AY17/16 (15895) fragment of leather (48cm) - (MOULD, CARLISLE & CAMERON 2003 p.3528) (CAMERON 2000  cat.212)
York AY17/16 (15896) fragment of leather (18cm) - (MOULD, CARLISLE & CAMERON 2003 p.3528) (CAMERON 2000 cat.211)
Sommerset, Bath, Upper Borough Wall C10th animal hair fragments of wood remains of textile fragment of leather curved guard, probably C10th (OWEN & DALLAND 1999 p.112) (CAMERON 2000 cat.326)
Oxfordshire, Crowmarsh C10th / C11th mineralised skin and hair curved guard, probably C10th / C11th (CAMERON 2000 cat.327)
Gloucester, 1 Westgate Street C9th almost complete (78cm) - Opening curved (80mm wide). Seam edge/flesh stitch along the edge. Impression of a stiffener visible on the inside, the top of which is 85mm from the top. A 15mm slit is on either side of the impression. (GOUDGE 1979 p.196) (CAMERON 2000 cat.328)
London, Palace of Westminster traces of oak dated to AD 800 (CAMERON 2000 cat.329)
Lincoln, Fiskerton traces of wood (WILSON 1965 p.33-35) (CAMERON 2000 cat.330)
Durham, Saddler Street fragments of leather butted seam on the back face (CAMERON 2000 cat.333)
Derbyshire, Repton animal hair traces of wood fragments of leather (MOULD, CARLISLE & CAMERON 2003 p.3365) (BIDDLE & KJOLBYE-BIDDLE 1992) (CAMERON 2000 cat.334)
Cumwhitton Grave 3 (901) 16mm leather strap. Assumed to be from a baldric. (PATERSON 2014 p.136, 232)
Cumwhitton Grave 4 (900) animal hair traces of wood textile spiral binding over the leather cover The textile spiral binding started at the mouth and extended 11cm down the scabbard. Trace of fine cord immediately below. Possibly English design? (PATERSON 2014 p.136, 226, 231)
Cumwhitton Grave 5 (880) animal hair traces of poplar leather (PATERSON 2014 p.136, 226, 231)
Cumwhitton Grave 6 traces of willow textile spiral binding over the leather cover The textile spiral binding started at the mouth and extended 8cm down the scabbard. Possibly English design? (PATERSON 2014 p.136, 226, 231)

Isle of Man

Location Date Lining Core Wrapping Covering Type Associated
Sword
Notes Reference
Ballateare AD 880-920 textile wood closely woven textile leather Petersen Type V (BERSU & WILSON 1966 p.52-54)

Cronk Moar AD 880-920 textile wood closely woven textile leather decorated with a raised moulding Petersen Type S [BERSU & WILSON 1966: p.72]

Scotland

  • Sutherland, Balnakiel. Wooden scabbard wrapped with textile. The associated sword was probably an undercoated Petersen type H with a grip bound with horizontal binding of S-plied yarn. (BATEY & PATERSON 2012 p.637-641)
  • Scar, Orkney. 2 thin laths of wood, either side of the blade and lined with sheepskin or similar. All wrapped in textile. There were no metal fittings associated with the scabbard or any evidence of a leather cover. The associated sword was probably a Petersen type H.(OWEN & DALLAND 1999 p.109-112)

Ireland

  • Dublin
    There are 53 fragmentary scabbards from Dublin. Two of which are nearly complete.

Denmark

  • Hedeby (from the Harbour)
    12 swords were recovered from the Harbour at Hedeby. 10 of these had partial remains of scabbards still attached. (HAGG 1991 p.248-268)
    • Sword 1 - Wooden scabbard of oak. Plied construction. Lined in animal fur. Covered in two layers of leather.
      The outer horizontal top layer of wood may be of very thin wood or bast (possibly used to bind instead of textile?). The outer layer of leather has 3 diamond cut outs down its front. Two rows, 3cm apart, of decorative metal rivets was located in the area of the top mount. (HAGG 1991 p.248-257, p.265)
    • Sword 2 - Wooden scabbard of beech. Possible leather covering.
    • Sword 3 - Wooden scabbard of alder. Plied construction.
    • Sword 4 - Wooden scabbard of beech. Lined in animal fur. Bound in cloth. Covered in leather.
    • Sword 5 - Wooden scabbard of beech. Lined in animal fur. Covered in two layers of leather.
    • Sword 6 - Wooden scabbard of alder. Possible leather covering.
    • Sword 7 - Wooden scabbard of maple. Bound in cloth.
    • Sword 9 - Not enough remains.
    • Sword 11 - Wooden scabbard of alder. Lined in animal fur. Covered in leather.
    • Sword 12 - Wooden scabbard. Plied construction. Lined in animal fur. Bound in cloth. Covered in leather.
  • Hedeby (from the Graves)

Germany

Sweden

France

Scabbard hanging styles

Swords on baldrics

Worn high on the side in a not dissimilar fashion to the Romans.

Art

  • T98 BL, Cott. Tib. C vi f.8v, 9r c.1050AD

Literature

  • A ‘rich baldric’ is mentioned in a Latin will dated to 867AD (DAVIDSON 1962  p.119)
  • Thidriks Saga, clxxv ‘the whole scabbard (umgerð) is covered in red gold and all of the straps (fetlar) are overlaid with gold and ornamented with fine buckles (goðum sylgjum búnir)’ (DAVIDSON 1962 p.188)
  • Fetill – baldric (DAVIDSON 1962 p.188)

Archaeology

Riveted straps style Scabbards are most probably hung from baldrics. The Strap slide style scabbard is also likely to be designed to hang from a baldric.

Discussion

Swords on sword belts

--

Art
--
Literature
--
Archaeology
--
Discussion
Sword scabbards suspended from or integral to waist belts can be seen in early manuscripts but only become the dominant style in the C11th.

Scabbard Construction

Composite wooden / leather plain scabbard

A scabbard made in layers using different materials. The wooden core is usually lined on the inside with sheep shin, hair on. Over the wood is a layer of textile and then a further layer of leather, or more rarely linen, overall.

... covered in leather

--

... covered in textile

Art

  • Italian wall painting – Regia site?

Literature

  • Charlemagne scabbard was described by a monk of St. Gall thus “This sword was enclosed first by a scabbard, secondly by a leather of some kind, thirdly by pure white linen rendered stronger by clearest wax and strengthened towards the centre by little raised crosses for the destruction of the heathern” (DAVIDSON 1962  p.113).

Archaeology

  • Sutton Hoo
  • Balnakiel, Scotland

Discussion
--

All leather scabbard

Discussion
We have no evidence for scabbards without wooden cores. 'All leather' scabbards are often used by reenactors as they are deemed to be safer to fall upon.

Scabbard decoration

Gold plated

Archaeology

  • A sword from Essen Minster dated to the late 10th or 11th centuries is covered in stamped gold (CAMPBELL 1982 p.171).
  • The Sword of St Maurice in the Weltliches Schatzkammer, Vienna has an olive wood scabbard overlaid with panels of gold decorated with repousse figures of Kings (OAKESHOTT 1991 p.56). Dated to the second half of the 11th century Oakshott believes this to be purely a scabbard used for ceremonial occasions.


Embossed

Archaeology

  • The Hiberno-Norse burial at Cronk Moar, Isle of Man had a scabbard with a leather outer decorated with a raised moulding (BERSU & WILSON 1966 p.72).
  • Dublin C11th scabbards with moulding.


Incised Designs

Archaeology

  • Dublin 4 scabbards with incised designs.


Decorative Seams

Archaeology

  • A leather scabbard from Hedeby has 3 diamonds down its front created by two layers of leather (HAGG 1991 265)


References